{"id":1125,"date":"2018-12-15T05:37:37","date_gmt":"2018-12-15T05:37:37","guid":{"rendered":"https:\/\/tamizhini.in\/?p=1125"},"modified":"2020-12-20T00:04:08","modified_gmt":"2020-12-19T18:34:08","slug":"the-panca-maha-bhutas-as-the-underlying-principle-in-philosophy-religion-aesthetics-and-medicine-dr-anand-amaladass","status":"publish","type":"post","link":"https:\/\/tamizhini.in\/?p=1125","title":{"rendered":"The Panca-maha-bhutas as the underlying principle in Philosophy, Religion, Aesthetics and Medicine"},"content":{"rendered":"<p><strong>Introduction<\/strong><\/p>\n<p>The five basic elements \u2013 known as <em>Pancamahabhutas<\/em> \u2013 have their own history in the Indian (both Hindu and Buddhist) literature. They are discussed in different philosophical systems, interpreted thematically in different contexts such as religion, aesthetics, ecology, astrology etc. The basic concept implied here is harmony, interconnections between Religion, philosophy and medicine.&nbsp; Here an attempt is made to consider the healing power of the five elements as it is portrayed in the Vedic hymns and in the Oyurvedic science and then show the five-basic-elements as the underlying principle in religion, aesthetics and medicine.<\/p>\n<p><strong>Pancamahabhutas \u2013 the five elements- what are they?<\/strong><\/p>\n<p>According to the Samkhya Philosophy the five elements which constitute our environment are the evolutes of the <em>Prakriti<\/em>. They are distinctive elaborations of the primeval energy. Every element has its own form and location, but all are interconnected and interdependent. The Taittiriya Upanishad says: From Brahman arises space (akasha), from space&nbsp;arises air (<em>vayu<\/em>), from air&nbsp;arises fire (<em>tejas<\/em>), from fire&nbsp;arises water (a<em>paH<\/em>) and from water&nbsp;arises earth (<em>prthvi<\/em>). After creation Brahman enters into the universe as its life and consciousness. That explains the relation between the humans and the natural world. In the Maitrayani Upanishad it is stated that the three-quartered Brahman has its roots above and its branches below; the branches are earth, water, fire, air and space.&nbsp; According to Bhagavadgita (7,4-5) the primordial nature is eight-fold: the five elements plus the intelligence (<em>buddhi<\/em>), the ego-sense (<em>ahamkara<\/em>) and the mind (<em>manas<\/em>).<\/p>\n<p>Three concepts are interlinked in this context: religion, philosophy and healing. All these three speak of the five basic elements. Indian (as well as Greek) Medicine is derived from philosophy and both are linked to religion. All wisdom traditions seem to presume that medicine without religion does not heal and it is no longer medicine. Religion without medicine does not save and it is no longer religion. We shall come back to this idea later.<\/p>\n<p><strong>The healing powers of the five elements in the Vedic Vision<\/strong><\/p>\n<p><strong>Water<\/strong><\/p>\n<p>Vedic India considered all medicines to be derived from three sources: heaven, earth and waters. (RV 1.34.6) Water was considered to be an important element for the cure of the internal diseases like <em>ketriya<\/em>, <em>rapas<\/em> and <em>amva<\/em>. So in the healing rites water was consecrated with the following formulaic verse: \u201cThe waters [are] indeed medicinal; the waters [are] the amva-dispellers [and] the waters [are] medicines for every [disease]. [Therefore,] let them be medicine for you.\u201d&nbsp;<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a><\/p>\n<p>The waters are said to protect the body (RV 1.23.21) and carry away evil (RV 1.23.22). They are praised as more healing than the healers (AVS 19.2.3) and are said to contain immortal medicine, brought by a chariot known as Matali and put into them by Indra (AVS 11.6.23)<\/p>\n<p>AVS 6.24 is the only complete hymn in the Atharva Veda which focuses on the healing properties of water. It was recited primarily by the patient and its aim was the eradication of the various internal diseases and symptoms:<\/p>\n<p>\u201cIndeed may the divine waters, [which] flow forth from the Himavant [and form] a confluence somewhere in the Sindhu, bestow on me that medicine against <em>hrddyota<\/em> (chest-pain). (1)<\/p>\n<p>May the waters, best healers among healers, eradicate all that which has afflicted [me] in my two eyes, in [my] two heels and in the front of [my] two feet. (2)<\/p>\n<p>You, who are all the rivers which have Sindhu as mistress and queen, bestow on us the medicine for that [disease; and] by means of it may we gain your benefit.\u201d (3) <a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a><\/p>\n<p>The waters possess an integral reality, and thus they have healing power (RV X. 137,6). Purification is their first anthropocosmic function. Waters convey divine energy but they are not the divine principle. The l<em>atapatha Brahmana<\/em> says that they were produced out of <em>vac<\/em> the word: the first element of the first \u201cprinciple\u201d. (SB VI. 1.1.9). \u201cThey bring life, but they can also be lethal; they purify but they can also be muddy; what is more ambivalent than the waters, which on the one hand you cannot live without, while on the other hand they may unexpectedly flood the land and drown you?\u201d. <a href=\"#_ftn3\" name=\"_ftnref3\">[3]<\/a><\/p>\n<blockquote><p>O Waters, stored with healing balm,<\/p>\n<p>Through which my body safe will be,<\/p>\n<p>Come, that I &nbsp;may see the sun. (7)<\/p>\n<p>Whatever sin is found in me,<\/p>\n<p>Whatever wrong I may have done,<\/p>\n<p>if I have lied or falsely sworn,<\/p>\n<p>Waters, remove it far from me.\u201d(8)&nbsp;<a href=\"#_ftn4\" name=\"_ftnref4\">[4]<\/a><\/p><\/blockquote>\n<p><strong>Earth<\/strong>: (<em>prthvi<\/em>)<\/p>\n<p>The relation of man to the earth is very complex. Earth is not simply nature, it is not merely material. It is part of man himself. Man stands on the earth and earth is the mother of man, but man is also lord over earth. So the tension between them remains. Earth is an object of worship and awe, and not of exploitation.<\/p>\n<p>Earth is a cosmic power, the receiver of prayers and the bestower of blessings, the protector and the inscrutable judge. She is the dwelling place of all living creatures. There is only one hymn in the Rig Veda addressed to <em>prthvi<\/em>, the earth, though she is praised in several hymns conjointly with the sky, <em>dyu<\/em>. (RV 1.185; RV 1.160). These two are called father and mother, not only of terrestrial creatures but of the gods also. Atharva Veda has the famous <em>Prayer to the Earth<\/em> (XII,1). It is called Bhumi Sukta, not prthvi.<\/p>\n<blockquote><p>\u201cHeaven and earth and the space in between<\/p>\n<p>have set me in a wide expanse!<\/p>\n<p>Fire, the sun, the waters, the gods,<\/p>\n<p>have joined to give me inspiration (53)<\/p>\n<p>O Earth, O Mother, dispose my lot<\/p>\n<p>In gracious fashion that I be at ease.<\/p>\n<p>In Harmony with all the powers of Heaven<\/p>\n<p>set me, O Poet, in grace and good fortune.!\u201d (63)&nbsp;<a href=\"#_ftn5\" name=\"_ftnref5\">[5]<\/a><\/p><\/blockquote>\n<p><strong>Wind (<em>vayu)<\/em><\/strong><\/p>\n<p>In Rigveda the wind is named <em>vayu<\/em> or <em>vata<\/em>. What is said of the wind could also be said of the spirit. The wind is connected with the primordial waters, is called the first born, and it is said to be of unknown origin; for nobody knows where it goes and where it comes from: it wanders free, is heard but not seen, invisible can only be felt, experienced, sensed, without being comprehended or understood. The wind holds the gift of eternal life; it is the bestower of the life-principle, the seed of life.<\/p>\n<blockquote><p>\u201cBreathe, o Wind, your healing breezes,<\/p>\n<p>Blow away evil. You are the medicine<\/p>\n<p>Of this whole world, the messenger of the Gods.\u201d (RV X.137,3)<\/p>\n<p>\u201cMay the Wind breathe healing upon us,<\/p>\n<p>prolong our life-span,<\/p>\n<p>and fill our hearts with comfort!<\/p>\n<p>You are our father, O wind,<\/p>\n<p>our friend ad our brother,<\/p>\n<p>give us life that we may live.<\/p>\n<p>From that immortal treasure, O Lord,<\/p>\n<p>Which is hidden in your abode,<\/p>\n<p>impart to us that we may live.\u201d&nbsp;<a href=\"#_ftn6\" name=\"_ftnref6\">[6]<\/a><\/p><\/blockquote>\n<p><strong>Space<\/strong> (a<em>kasha<\/em>)<\/p>\n<p>akasha is the generic term for space, the subtlest and most pervasive of the five basic elements. \u201cIt manifests itself as gravitational force. It represents openness, brightness, expansiveness and the fullness of blooming capacity\u201d. <a href=\"#_ftn7\" name=\"_ftnref7\">[7]<\/a> At Chidambaram in Tamilnadu, South India, space is worshiped as a manifestation of the Divine. It is said that God Siva lives there in the form of akasha&nbsp;or sky. The devotees have a peep at the roof, when the priest lifts the screen. Mahakasha is infinite space. Loka is the perceptible space and it sustains people.<\/p>\n<p>An Upanishadic dialogue on the last foundation of everything ends with the affirmation that \u201cspace is the final goal\u201d.&nbsp;<a href=\"#_ftn8\" name=\"_ftnref8\">[8]<\/a>&nbsp;This space&nbsp;is identified with the Brahman and is stated outside and inside man (<em>purusha<\/em>). This akasha&nbsp;lies within the heart of man (<em>antar-hrdayam-akasha<\/em>) and constitutes this fullness (<em>purnam<\/em>). <a href=\"#_ftn9\" name=\"_ftnref9\">[9]<\/a>&nbsp;\u201cIt means that space is neither a purely objective nor a purely subjective reality. There are no things without space and there is no space without things. If we consider only physical space we are making the common scientific statement that there are no bodies without space and no space without bodies.\u201d&nbsp;<a href=\"#_ftn10\" name=\"_ftnref10\">[10]<\/a><\/p>\n<p><strong>Fire (<em>Agni<\/em>)<\/strong><\/p>\n<p>Sun, lightning, and fire are forms of his element. The lustrous dawn (<em>Ushas<\/em>) and the glorious orb of the sun (Surya) are its expressions. The friendly aspect of the sun is personified as Mitra. He is the stimulator of life (Pusan). Sacrificial smoke purifies sky (space) and air. The poet-seer prays in the Rigveda (1.1): \u201cO Agni, like a father to his son, be thou easy of access to us; be with us for our welfare.\u201d The divine sun is worshiped in India since ancient times. The <em>Gayatri Mantra<\/em> is addressed to the sun god. This worship purifies the intellect and the environment. \u201cWe meditate upon the glorious splendor of the vivifier divine. May he himself illumine our minds\u201d. <a href=\"#_ftn11\" name=\"_ftnref11\">[11]<\/a><\/p>\n<p><strong>Ayurveda \u2013 the knowledge of life<\/strong><\/p>\n<p>Healing is the common goal in this pursuit. Health is defined in Ayurveda as follows: \u201cBalanced <em>dosha<\/em> (humors), healthy <em>agni<\/em>, a good state of tissues and heir metabolic and end-products lead to a balanced state of the senses, mind and spirit all of which lead to health\u201d.&nbsp;<a href=\"#_ftn12\" name=\"_ftnref12\">[12]<\/a> The basic philosophy of Ayurveda is based on the five elements theory. From this theory evolves the concept of the controlling forces or the <em>doshas<\/em> which act on the tissues, the<em> dhatus<\/em>, giving rise to various metabolic products, i.e. mala. An important concept of Ayurveda is that each individual is genetically different &#8211; this gives him or her a very specific constitution (<em>prakrti<\/em>) and also a very individual way of interacting with the environment.&nbsp;<a href=\"#_ftn13\" name=\"_ftnref13\">[13]<\/a><\/p>\n<p>The three humors (<em>doshas<\/em>) are wind (<em>vata, vayu<\/em>), bile (pitta) and phlegm (<em>kapha, shleshman<\/em>) which on analogy with the humors of the Hippocratic and Galenic systems&nbsp;<a href=\"#_ftn14\" name=\"_ftnref14\">[14]<\/a> were vitiating forces in the body. When something called a <em>nidana<\/em>, \u2018primary cause\u2019, which could be of climatic, organic or less commonly, demonic origin, acted upon the humors, an imbalance occurred, bringing about the manifestation of disease. The principle aim of the physician was to recognize which humor or humors were out of balance and to re-establish the equilibrium through allopathic treatments which usually included drugs with opposite qualities, diet and daily regimen, although surgery was also sometimes recommended.&nbsp;<a href=\"#_ftn15\" name=\"_ftnref15\">[15]<\/a><\/p>\n<p>It is said that all the sense faculties are made of all the five elements. Though all the five elements are present in all the five sense faculties, each sense faculty is dominated by one element. For example visual sense faculty is dominated by tejas and as such it is known as <em>taijas<\/em>. Such is the case with all the other sense faculties as well. (Caraka Samhita, 8,14). Then the physical properties of the five elements are described (CS. XXVI, 11). And it is also said that there is nothing in the world which does not have therapeutic utility in appropriate conditions and situations. (CS XXVI, 12).<\/p>\n<p>The Caraka Samhita asserts that the Ayurveda is the Veda alongside the classical four Vedas and more than an <em>upanga<\/em> or appendix to the Atharva Veda, since it offers the foundations for the \u201cgood life\u201d in this world and the next. According to this text there are four kinds of life; happy (sh<em>ukha<\/em>), unhappy (<em>dukha<\/em>), good life (<em>hita<\/em>) and bad (<em>ahita<\/em>). Medicine takes all four into account. Moksha, liberation or salvation in the broadest&nbsp; sense, is the aim sought both by medicine and religion. <a href=\"#_ftn16\" name=\"_ftnref16\">[16]<\/a><\/p>\n<p>Health means equilibrium, harmony between the three factors (<em>dhatu<\/em>) \u2013 air, bile and phlegm \u2013 as well as the five elements. When the proportion is right (<em>svamana<\/em>), there is health. The purpose of the Ayurveda is to attain harmony, <em>dhatu-samya<\/em>, between all the factors that compose human life. What counts is the equilibrium between the diverse constituents, not that they be good or bad. Everything that exists is good, although the proportion can be noxious. \u201cThe Ayurvedic conception believes in the possibility of restoring harmony between the material and the spiritual, between the individual and the collective, between the world and the other. Ayurveda intends to collaborate toward that equilibrium.\u201d<a href=\"#_ftn17\" name=\"_ftnref17\">[17]<\/a><\/p>\n<p>In fact Panikkar has summed up insightfully in his formulation how medicine and religion go hand in hand in all wisdom traditions of the world. \u201cMedicine without religion does not heal, it is no longer medicine; religion without medicine does not save, it is no longer religion. What combines both is the dharmic attitude, joining the whole with the body, a cosmic order to which the individual must adjust beyond all other moral conflict. Whoever perturbs this order harms himself\/herself. <em>Dharma<\/em> is the very texture of the universe. It is the web whose knots are the people themselves.\u201d&nbsp;<a href=\"#_ftn18\" name=\"_ftnref18\">[18]<\/a><\/p>\n<p>That is one of the reasons why in all religious traditions the healing aspect is attributed to the all the founders of religions. Buddha appears as a great doctor whose teaching is considered medicine against all sickness like the three poisons &#8211; avarice, anger, hatred. Similar complex ideas, metaphors and images and narratives could be identified \u2013 Christ the Healer-motive, Zarathustra as medical doctor, Thomas Mani as doctor, Laotze as dispenser of the elixir of immortality.&nbsp;<a href=\"#_ftn19\" name=\"_ftnref19\">[19]<\/a><\/p>\n<p><strong>Aesthetics and the five elements<\/strong><\/p>\n<p>The sense of beauty in aesthetics has to do with harmony, proportion, equilibrium. The Lord of dance (Nataraja) embodies a series of apparent contradictions, reconciling the oppositions between perpetual motion and eternal stasis, creation and destruction, reality and illusion. Siva\u2019s dance has been arrested at a point of perfect equilibrium and he is surrounded by symbols of universal continuity \u2013fire, water, space and time. All of Siva\u2019s traditional activities are represented in the symbolic design of this icon: creation, destruction, preservation, veiling and liberation. The small drum that Siva\u2019s uplifted right hand represents the akasha&nbsp;\u2013 audible space that fills the universe \u2013 which according to Taittiriya Upanishad is the first evolute from the universal soul (3.6), which causes sound to issue forth at the first moment of creation.<\/p>\n<p>The benedictory verse from Kalidasa\u2019s <em>Sakuntalam<\/em> invokes Siva\u2019s blessings on the performance by praising his octo-form nature and suggesting that the performing arts of India should be viewed as instruments of sacrifice, a sacrifice bringing unseen benefits to all who participate and all who bear witness. Siva\u2019s eight forms \u2013 water, fire, audible space, earth, air, the sun, the moon and the person of the sacrificer &#8211; encompass the whole reality of nature (5.1).&nbsp;<a href=\"#_ftn20\" name=\"_ftnref20\">[20]<\/a><\/p>\n<p>In fact there are five temples dedicated to Lord Shiva in South India representing the five elements: Kalahasti near Tirupati for Vayustalam; Chidambaram for space &#8211; akashastalam; Kanchipuram for earth- prthvistalam; Tiruvannamalai for Agni (arunachalam); and Tiruvanaikaval for water Jambukeshvarar.<\/p>\n<p>The general notion of beauty which emerges from a large number of Sanskrit verbal roots express a few fundamental ideas &#8211; to shine, be pleased, resound, appear, and enjoy \u2013 <em>carutvam, lavanyam, chaya, rupam<\/em>, <em>kanta, shobha, saundaryam, e<\/em>tc. Taken together they suggest an idea that Plato would have endorsed \u2013 that \u201cbeauty is an <em>epiphany,<\/em> a manifestation of the light of creation to the senses, bringing the taste of delight and a glimpse of the ultimate in sensible, graspable form.\u201d&nbsp;<a href=\"#_ftn21\" name=\"_ftnref21\">[21]<\/a><\/p>\n<p><strong>Are the basic elements deities (devatas)?<\/strong><\/p>\n<p>What are the generic terms applied to the basic components of the world in the early upanishadic teachings? In Uddalaka\u2019s instruction, they are called \u201cdeities\u201d (<em>devata<\/em>; Cha. Up. 6.3.3, 4, 7) and this term, which points to a continuing mythologization of macrocosmic powers, is also found elsewhere in relevant contexts. In the introductory cosmogony of the Aitareyopanishad, the self (a<em>tman<\/em>), the single and unique initial entity, first creates the three cosmic strata with the waters beneath earth as the fourth, and then man as the world\u2019s protector. The self incubated him and when his mouth burst asunder like an egg speech arose from it, and from speech arose fire (<em>agni<\/em>). By the same process, breathing and wind (<em>vayu<\/em>), then the quarters (<em>disah<\/em>), then water (a<em>paH<\/em>). The basic components of the world thus arise from man\u2019s vital faculties, which originate from their respective organs or body parts. Collectively, they are subsequently called deities \u2018<em>devatas<\/em>\u2019, when the author narrates how they required a basis in which to establish themselves.&nbsp;<a href=\"#_ftn22\" name=\"_ftnref22\">[22]<\/a><\/p>\n<p>Later the Mimamsakas raise the question: what is <em>devata<\/em>? labara in his commentary on Jaiminiya Sutra answers: \u201cDeities are those to whom hymns are addressed (<em>suktabhak<\/em>) and recipients of offerings (<em>Havirbhak<\/em>)\u201d.&nbsp;<a href=\"#_ftn23\" name=\"_ftnref23\">[23]<\/a> The <em>devata<\/em> that is usually mentioned in labara Bh\u00e5shya is in connection with the performance of sacrifices and thereby belongs to the reality in which we live. labara rejects strongly any human experience of a <em>devata<\/em>. He demythologizes those statements made in the <em>Smrti<\/em> texts and known by custom and indicate texts which pretend to speak about a certain behavior or qualities of the <em>devata<\/em>, such as eating habits, rewarding people with wealth and strength; physical qualities like Indra\u2019s arms as \u2018covered with hair\u2019 etc.&nbsp;<a href=\"#_ftn24\" name=\"_ftnref24\">[24]<\/a>&nbsp;<em>Devatas<\/em> are clearly distinguished from human beings, they cannot replace each other. In fact, a deity is not even able to perform sacrifices nor can man replace the deity to which the offerings are made in a sacrifice. Nevertheless deities are important for the performance of a sacrifice, \u201csince the very term \u2018sacrifice\u2019 denotes an act bearing upon a substance and a deity\u201d.&nbsp;<a href=\"#_ftn25\" name=\"_ftnref25\">[25]<\/a><\/p>\n<p>Another Harvard scholar, Francis X. Clooney, compares the <em>devatas<\/em> with the angels, as these are understood in traditional Roman Catholic theology.&nbsp;<a href=\"#_ftn26\" name=\"_ftnref26\">[26]<\/a> In an era of intercultural thinking it is worthwhile to give credence to such studies, where functional similarities (Panikkar\u2019s \u201cHomeomorphic Equivalents\u201d) are identified in different traditions without identifying them, in order to enable dialogue between various cultures and traditions. The obvious points of comparison between angels and (deities) <em>devatas<\/em> are: both stand above humans and below the highest divine reality; both share the general orientation of reality to God, both find their fulfillment in the divine; both contribute to the overall functioning and intelligibility of the universe, though God and brahman remain primary, free and independent with regard to them.<\/p>\n<p>If we take into consideration lankara\u2019s discussion of the <em>devatas<\/em> in the Uttaramimamsa Sutrabhashya, the following similarities could be identified: first of all, in Vedanta the <em>devatas<\/em> provide intelligent guidance for human selves during life with respect to their sense organs and more generally after death (when humans are no longer in conscious control.) In the Roman Catholic Theology of Thomas Aquinas, angels share both these functions. Though the terminology and distinctions differ, it seems plausible to suggest that <em>devatas<\/em> and angels are both conceded significant though limited roles with respect to the intelligibility of the world and human place in it. <a href=\"#_ftn27\" name=\"_ftnref27\">[27]<\/a><\/p>\n<p><em>Secondly<\/em>, following the tradition going back to Aristotle, Aquinas concedes to angels influence over heavenly bodies and by that means, influence over material realities as well; as in Vedanta, this concession of power to secondary beings does not diminish the power of the Lord, but serves a convenient and appropriate intermediate role in how the world works intelligibility. However, while in Aquinas the agency of the angels is mediated through their ability to influence the heavenly spheres and no such specification seems to have been put forward regarding the devata\u2019s guiding role over material realities, nevertheless the general parallel is clear: a higher divine agency is mediated through secondary intelligent beings. <a href=\"#_ftn28\" name=\"_ftnref28\">[28]<\/a><\/p>\n<p><strong>Conclusion<\/strong><\/p>\n<p>The theme of this discussion \u2013 the five basic elements \u2013 might look academic and abstract on the one hand and appear to be too common-place matters of day-to-day realities of life on the other hand and so we may tend to ignore or take them for granted. But the underlying philosophy is the unifying principle, which creates harmony and equilibrium, both in one\u2019s personal health and in the cosmic vision of reality.<\/p>\n<p>The present-day ecological awareness has also awakened the interests in the <em>Pancabhutas<\/em> and their impact on human consciousness and in the environment on the whole.<\/p>\n<p>But there seems to be a revival of interest in this topic, as it is the theme of the conference. There is a fascinating visual presentation of the five elements creatively choreographed by Dr. V. Chandrasekhar with the Bharatanatya classical dance style in which he himself dances. It is available in the website.<\/p>\n<p><strong>Bibliographical References<\/strong><\/p>\n<p>Francis X. Clooney, \u201cSankara\u2019s Theological Realism: the meaning and usefulness of gods (<em>devata<\/em>) in the Uttara Mimamsa Sutra Bhashya\u201d, in: <em>New Perspectives on Advaita Vedanta.<\/em> Essays in Commemoration of Professor Richard De Smet S.J. Edited by Bradley J. Malkovsky, Leiden, Brill,&nbsp; 2000, 30-50<\/p>\n<p>Collins, James, <em>The Thomistic Philosophy of Angels<\/em>, Washington DC, Catholic University of America Press,1947<\/p>\n<p>G\u00e4chter, Othmar, <em>Hermeneutics and Language in Purvamimamsa.<\/em> A Study in Sabara Bhasya. Delhi, Motilal Banarsidass, 1983<\/p>\n<p>Klimkeit, Hans-Joachim, \u201cHeil und Heilung in Volks- und Weltreligionen\u201d, in: <em>Heil und Heilung in den Religionen<\/em>, Ed. Karl Hoheisel and Hans-Joachim Klimkeit, Wiesbaden, Harrassowitz Verlag, 1995, 1-19<\/p>\n<p>Panikkar, Raimon, <em>The Vedic Experience<\/em>, Delhi, Motilal Banarsidass, (1977) 1994<\/p>\n<p>Panikkar, Raimon, <em>The Rhythm of Being<\/em>, New York, Orbis Publications, 2010<\/p>\n<p>Panikkar, Raimon, \u201cMedicine and Religion\u201d in <em>InterCulture<\/em> vol. XXVII, No. 4, 1994,25.<\/p>\n<p>Preisendanz, Karin, \u201cMahabhutas\u201d, in Brill\u2019s <em>Encyclopedia of Hinduism<\/em>, Vol. II, Leiden, 2010. 806-818<\/p>\n<p>Rao, K.L. Seshagiri, \u201cThe Five Great Elements (<em>Pa\u00f1camah\u00e5bh\u03a9tas<\/em>): An Ecological Perspective\u201d, in <em>Hinduism and Ecology<\/em>, The Intersection of Earth, Sky and Water. Edited by Christopher Key Chapple and Mary Evelyn Tucker, New Delhi, Oxford University Press, 2000<\/p>\n<p>Rowell, Lewis, <em>Music and Musical Thought in Early India<\/em>, Chicago, The University of Chicago Press, 1992<\/p>\n<p>Zysk, Kenneth G., <em>Religious Healing in the Veda<\/em>, Philadelphia, American Philosophical Society. 1985<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> RV 10.137.6; AVS 6.91.3.<\/p>\n<p><a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> Kenneth G. Zysk, <em>Religious Healing in the Veda<\/em>, American Philosophical Society. Philadelphia 1985, 92<\/p>\n<p><a href=\"#_ftnref3\" name=\"_ftn3\">[3]<\/a> Raimon Panikkar, <em>The Vedic Experience<\/em>, Motilal, Delhi (1977) 1994,116-117<\/p>\n<p><a href=\"#_ftnref4\" name=\"_ftn4\">[4]<\/a> RV X.9, 7-8. Translation by R. Panikkar, 120<\/p>\n<p><a href=\"#_ftnref5\" name=\"_ftn5\">[5]<\/a> AV XII, 1. Translation by Panikkar, 128-129.<\/p>\n<p><a href=\"#_ftnref6\" name=\"_ftn6\">[6]<\/a> RV X. 186. Translation by Panikkar, p.132<\/p>\n<p><a href=\"#_ftnref7\" name=\"_ftn7\">[7]<\/a> K.L. Seshagiri Rao, \u201cThe Five Great Elements (<em>Pancamahabhutas<\/em>): An Ecological Perspective\u201d, in <em>Hinduism and Ecology<\/em>, The Intersection of Earth, Sky and Water. Edited by Christopher Key Chapple and Mary Evelyn Tucker, OUP New Delhi, 2000, 30<\/p>\n<p><a href=\"#_ftnref8\" name=\"_ftn8\">[8]<\/a> CU 1, 9, 1: a<em>kasha parayaham<\/em>.<\/p>\n<p><a href=\"#_ftnref9\" name=\"_ftn9\">[9]<\/a> CU III, 12, 7, 7-9.<\/p>\n<p><a href=\"#_ftnref10\" name=\"_ftn10\">[10]<\/a> R. Panikkar, <em>The Rhythm of Being<\/em>, 2010, 180-181<\/p>\n<p><a href=\"#_ftnref11\" name=\"_ftn11\">[11]<\/a> <em>Om tat savitur varenyam bhargo devasya dhimahi\/ dhiyo yo na prachodayat. Om<\/em>.\/ RV. III. 62. 10.<\/p>\n<p><a href=\"#_ftnref12\" name=\"_ftn12\">[12]<\/a> <em>Samado ah samagnishca samadhatumalakriyah\/ <\/em><\/p>\n<p><em>prasantatmendriyamanah svastha ityabhidhshyate\/\/<\/em> Shushruta Su. 75\/41<\/p>\n<p><a href=\"#_ftnref13\" name=\"_ftn13\">[13]<\/a> In keeping with the <em>guru-shishya-parampara<\/em>, this knowledge was propagated and crystalized into the Ayurveda texts of <em>Caraka <\/em>and<em> Shushruta Samhitas<\/em>. These were further expanded in complementary sciences like Vagabhatta\u2019s <em>Ashtanga Hridaya, Sharangdhara samhita<\/em> etc.<\/p>\n<p><a href=\"#_ftnref14\" name=\"_ftn14\">[14]<\/a> The names of the temperaments indicate the similarity with the Western concept &#8211; the four bodily humors:&nbsp; blood, phlegm, yellow bile and back bile and their corresponding temperaments \u2013 sanguine, phlegmatic, choleric and melancholic.<\/p>\n<p><a href=\"#_ftnref15\" name=\"_ftn15\">[15]<\/a>&nbsp; Kenneth G. Zysk, <em>Religious Healing in the Veda<\/em>. 1985, p.1.<\/p>\n<p><a href=\"#_ftnref16\" name=\"_ftn16\">[16]<\/a> Plato in his <em>Symposium<\/em> (186 c) writes: \u201cMedicine is then, to put it briefly, the science (of the rhythmic fluctuations) of love, of what the body loves with regard to filing and evacuating; and the one who can distinguish between beneficial love and harmful love may claim to be a physician in the fullest sense of the word.\u201d Quoted by Panikkar, \u201cMedicine and Religion\u201d in <i>Inter-culture<\/i>&nbsp;vol. XXVII, No. 4, 1994,25.<\/p>\n<p><a href=\"#_ftnref17\" name=\"_ftn17\">[17]<\/a>&nbsp; Raimon Panikkar, p.26<\/p>\n<p><a href=\"#_ftnref18\" name=\"_ftn18\">[18]<\/a> Raimon Panikkar, \u201cMedicine and Religion\u201d, in <em>Inter-culture<\/em>, Vol. XXVII, no. 4. 1994, 11-12<\/p>\n<p><a href=\"#_ftnref19\" name=\"_ftn19\">[19]<\/a> Hans-Joachim Klimkeit, \u201cHeil und Heilung in Volks- und Weltreligionen\u201d, in: <em>Heil und Heilung in den Religionen<\/em>, Ed. Karl Hoheisel and Hans-Joachim Klimkeit, Harrassowitz Verlag, Wiesbaden, 1995, 19<\/p>\n<p><a href=\"#_ftnref20\" name=\"_ftn20\">[20]<\/a> Lewis Rowell, <em>Music and Musical Thought in Early India<\/em>, The University of Chicago Press, Chicago, 1992, 3-4<\/p>\n<p><a href=\"#_ftnref21\" name=\"_ftn21\">[21]<\/a> Ibid. p. 336<\/p>\n<p><a href=\"#_ftnref22\" name=\"_ftn22\">[22]<\/a> Ait. Up. 1.1-2; 1.2.1,5. Cf. Karin Preisendanz, \u201cMahabhutas\u201d, in Brill\u2019s <em>Encyclopedia of Hinduism<\/em>, Vol. II, Leiden, 2010, p. 808<\/p>\n<p><a href=\"#_ftnref23\" name=\"_ftn23\">[23]<\/a> Sa.Bha. 10.4.23.<\/p>\n<p><a href=\"#_ftnref24\" name=\"_ftn24\">[24]<\/a> Devatadhikarana IX, 1,6-10<\/p>\n<p><a href=\"#_ftnref25\" name=\"_ftn25\">[25]<\/a>&nbsp; Cf. G. Jha; Sa.Bha. 6.1.2. quoted by Othmar G\u00e4chter, <em>Hermeneutics and Language in Purvamimamsa.<\/em> A Study in Sabara Bhasya. Motilal, 1983, 24.<\/p>\n<p><a href=\"#_ftnref26\" name=\"_ftn26\">[26]<\/a> James Collins, <em>The Thomistic Philosophy of Angels<\/em>, Washington DC, Catholic University of America Press, 1947<\/p>\n<p><a href=\"#_ftnref27\" name=\"_ftn27\">[27]<\/a> In fact Ananda Kumarasamy in one of his articles translates <em>devata<\/em> as \u201cangelic power\u201d, an insightful [and interperatative] translation.<\/p>\n<p><a href=\"#_ftnref28\" name=\"_ftn28\">[28]<\/a> Francis X. Clooney, \u201cSankara\u2019s Theological Realism: the meaning and usefulness of gods (<em>devata<\/em>) in the Uttara Mimamsa Sutra Bhashya\u201d, in: <em>New Perspectives on Advaita Vedanta.<\/em> Essays in Commemoration of Professor Richard De Smet S.J. Edited by Bradley J. Malkovsky, Brill, Leiden 2000, 48-49<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Introduction The five basic elements \u2013 known as Pancamahabhutas \u2013 have their own history in the Indian (both Hindu and Buddhist) literature. They are discussed in different philosophical systems, interpreted thematically in different contexts such as religion, aesthetics, ecology, astrology etc. The basic concept implied here is harmony, interconnections between Religion, philosophy and medicine.&nbsp; Here [&hellip;]<\/p>\n","protected":false},"author":91,"featured_media":1127,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9,27],"tags":[279,43],"class_list":["post-1125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-english","category-philosophy-english","tag-dr-anand-amaladass","tag-43"],"jetpack-related-posts":[{"id":3493,"url":"https:\/\/tamizhini.in\/?p=3493","url_meta":{"origin":1125,"position":0},"title":"The Ancient Tamil Society: Introduction &#8211; Kaniyan Balan","author":"\u0baa\u0ba9\u0bcd\u0ba9\u0bc0\u0bb0\u0bcd \u0b9a\u0bc6\u0bb2\u0bcd\u0bb5\u0bae\u0bcd \u0bb5\u0bc7\u0bb2\u0bcd\u0bae\u0baf\u0bbf\u0bb2\u0bcd","date":"27.12.19","format":false,"excerpt":"The ancient civilizations created by Sumerians, Babylonians, Egyptians, Chinese, Greeks, Romanians, and Indus Valley people are well famous in the world. Our ancient Tamil society is another such civilization that equaled the above civilizations. Our civilization gave the world the famous Sangam literature. Sangam literature is an immense treasure trove\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2019\/12\/Sangam-Literature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2019\/12\/Sangam-Literature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2019\/12\/Sangam-Literature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2019\/12\/Sangam-Literature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2019\/12\/Sangam-Literature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2604,"url":"https:\/\/tamizhini.in\/?p=2604","url_meta":{"origin":1125,"position":1},"title":"The Philosophy of Montaigne: Michel Eyquem de Montaigne (1533 &#8211; 1592)","author":"\u0b87\u0bb0\u0bbe. \u0b95\u0bc1\u0baa\u0bcd\u0baa\u0bc1\u0b9a\u0bbe\u0bae\u0bbf","date":"22.05.19","format":false,"excerpt":"I ask of any book three basic questions: 1.Is it human centered or god-centered? 2.Is it this world-centered or other world-centered? 3.Is it optimistic or pessimistic? When it passes all the three tests by adopting the former of the pairs, I take the book and read it. One can ask:\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2019\/05\/353451_poster_l.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3743,"url":"https:\/\/tamizhini.in\/?p=3743","url_meta":{"origin":1125,"position":2},"title":"Montaigne: Self &#8211; Consciousness (Part II)","author":"\u0b87\u0bb0\u0bbe. \u0b95\u0bc1\u0baa\u0bcd\u0baa\u0bc1\u0b9a\u0bbe\u0bae\u0bbf","date":"24.02.20","format":false,"excerpt":"In the nineteenth century Emerson echoed the voice of Socrates and Montaigne and went beyond the notion of self-consciousness to self-reliance. Other new age gurus like Gurdjieff, J.Krishnamurti and D.T Suzuki made self-consciousness, the basic premise of their systems of esoteric philosophy. In this history of the idea of self-consciousness,\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/02\/Michel-de-Montaigne-007.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3654,"url":"https:\/\/tamizhini.in\/?p=3654","url_meta":{"origin":1125,"position":3},"title":"Montaigne : Self &#8211; Consciousness (Part I)","author":"\u0b87\u0bb0\u0bbe. \u0b95\u0bc1\u0baa\u0bcd\u0baa\u0bc1\u0b9a\u0bbe\u0bae\u0bbf","date":"24.01.20","format":false,"excerpt":"The story of self-consciousness is very long. It is in fact, as ancient as humankind. For the unique and special characteristic of humans is their self - consciousness. Man was the only animal who turned his gaze inside and saw his own self, mind and ideas. This reflective consciousness was\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/01\/Michel_de_Montaigne_11.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/01\/Michel_de_Montaigne_11.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/01\/Michel_de_Montaigne_11.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":7233,"url":"https:\/\/tamizhini.in\/?p=7233","url_meta":{"origin":1125,"position":4},"title":"What if our Ordinary Experience is all that matters?","author":"Stephen Batchelor","date":"27.02.21","format":false,"excerpt":"Stephen Batchelor poses the classical Zen question, \u201cWhat is this?\u201d The answer, he says, is right in front of us. Each time I sit down on a cushion and pay attention to what is happening, I find myself utterly incapable of putting whatever it is I\u2019m experiencing into words. There\u2019s\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2021\/02\/B_5.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2021\/02\/B_5.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2021\/02\/B_5.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3304,"url":"https:\/\/tamizhini.in\/?p=3304","url_meta":{"origin":1125,"position":5},"title":"Western Influences on Gandhi and India\u2019s Liberation: Modi\u2019s use of Gandhi as a mask","author":"\u0b85\u0bb0\u0bb5\u0bbf\u0ba8\u0bcd\u0ba4\u0ba9\u0bcd \u0b95\u0ba3\u0bcd\u0ba3\u0bc8\u0baf\u0ba9\u0bcd","date":"26.10.19","format":false,"excerpt":"On October 2nd 2019, the 150th anniversary of Mohandas Gandhi\u2019s birth, India\u2019s Prime Minister Narendra Modi surprised both his supporters and detractors with a pean to the Mahatma in, of all newspapers, the New York Times. Mr. Modi heads a government that is ideologically linked to organizations that inspired Gandhi\u2019s\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2019\/10\/modi-gandhi.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2019\/10\/modi-gandhi.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2019\/10\/modi-gandhi.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2019\/10\/modi-gandhi.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_featured_media_url":"https:\/\/tamizhini.in\/wp-content\/uploads\/2018\/12\/1_5SZdPDvguOtU3yIWxGnNkw.jpeg","_links":{"self":[{"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/posts\/1125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/users\/91"}],"replies":[{"embeddable":true,"href":"https:\/\/tamizhini.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1125"}],"version-history":[{"count":3,"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/posts\/1125\/revisions"}],"predecessor-version":[{"id":6604,"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/posts\/1125\/revisions\/6604"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/media\/1127"}],"wp:attachment":[{"href":"https:\/\/tamizhini.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tamizhini.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tamizhini.in\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}