{"id":184,"date":"2018-07-09T02:47:31","date_gmt":"2018-07-08T21:17:31","guid":{"rendered":"https:\/\/tamizhini.in\/?p=184"},"modified":"2021-03-23T11:51:04","modified_gmt":"2021-03-23T06:21:04","slug":"excerpts-from-thirukkurals-kaamathupaal-the-book-of-love-kannan-thandapani-2","status":"publish","type":"post","link":"https:\/\/tamizhini.in\/?p=184","title":{"rendered":"Excerpts from Thirukkural\u2019s Kaamathupaal: The Book of Love"},"content":{"rendered":"<p>Translating the Tamil classic, Thirukkural, is a tricky task. Many translators have attempted to outdo Thiruvalluvar in brevity, and failed to match his depth and poetic grace. Some resort to elaboration, making it more of commentary than poetry, leaving very little space for interpretation and probably adding layers that are not explicit in the original, seeing more in Kural than Valluvar knew. The two-line, seven-cir (4 + 3 meters, for a rough understanding) format offers an additional challenge. It has so far been impossible to replicate in English. Doing the translation with rhyme tends to become an amateurish exercise. Without rhyme, they are often reduced to pithy maxims. Even as maxims, deprived of the poetic devices, because of the inherent depth of content and the moral strength, they are powerful enough in the first two books &#8211; on Aram and Porul (Righteousness and Wealth). In the third book, on Kaamam (Love), the emphasis is on poetry. Even the academia in Tamilnadu has, by and large, turned a blind eye to this part of Thirukkural. It is no surprise that Kaamathupaal has not made a wide impact outside Tamilnadu.<\/p>\n<p>The most popular translation of Thirukkural, till date, remains that of the nineteenth century British cleric, GU Pope. While GU Pope is revered enough in Tamilnadu to warrant a statue along the Marina beech, he was no Alexander Pope (to Homer). Hence, translator after translator, some renowned some unknown, have made sincere attempts, albeit with limited success, to convey to the world the exhilaration they have experienced in Tamil. Unfortunately, A.K.Ramanujan was not one of them; had he taken up Thirukkural, especially Kaamathupaal, he could have brought into force, the poetic wand he wielded over Sangam poems.<\/p>\n<p>I append my name to that long list of translators, hoping that I am taking one small step forward. I, too, had adhered to the two-line free verse format for the first two parts, which I have been publishing directly on my blog (<a href=\"http:\/\/www.thirukkural133.wordpress.com\">www.thirukkural133.wordpress.com<\/a>) over the last 7 years. But with Kaamathupaal, I hit against a strong block for more than a year. I felt the two-long-line format for poems on love was too restrictive, and unappealing to the modern sensibilities, especially in English. So, I\u2019ve chosen to experiment with a 5-line format, but altering the meter, space, rhyme and rhythm depending on the individual kural. Why five lines? It is difficult to explain; the compound phrases and pauses in most kurals seemed to seamlessly split into five lines. I haven\u2019t shied away from using rhyme and meter, wherever they have fallen in place without having to contrive much. Though, there is a certain amount of continuity within some of the chapters in Thirukkural, I find it best to treat each kural as a separate poem than as a continuum; each, a separate poem demanding a unique structure, rhyme and language.<\/p>\n<p>I owe my understanding of kural to various commentators, old and new, (especially Parimelazhagar), spanning over maybe 10 centuries. Where my personal reading was not satisfied by any commentary, I have made my own interpretation. Where I felt multiple interpretations to be equally appealing, but was impossible to leave scope for multiple interpretations in the translation, I have made multiple versions for the same kural.<\/p>\n<h2>Chapter 110: Reading the cues<\/h2>\n<p>\u0b85\u0ba4\u0bbf\u0b95\u0bbe\u0bb0\u0bae\u0bcd 110: \u0b95\u0bc1\u0bb1\u0bbf\u0baa\u0bcd\u0baa\u0bb1\u0bbf\u0ba4\u0bb2\u0bcd<\/p>\n<p>&nbsp;<\/p>\n<p>Her gorging eyes<\/p>\n<p>Have two gazes.<\/p>\n<p>One gaze inflicts the malady.<\/p>\n<p>The other gaze is remedy<\/p>\n<p>For that malady.<\/p>\n<p>\u0b87\u0bb0\u0bc1\u0ba8\u0bcb\u0b95\u0bcd \u0b95\u0bbf\u0bb5\u0bb3\u0bc1\u0ba3\u0bcd\u0b95\u0ba3\u0bcd \u0b89\u0bb3\u0bcd\u0bb3 \u0ba4\u0bca\u0bb0\u0bc1\u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bc1<\/p>\n<p>\u0ba8\u0bcb\u0baf\u0bcd\u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bca\u0ba9\u0bcd \u0bb1\u0ba8\u0bcd\u0ba4\u0bcb\u0baf\u0bcd \u0bae\u0bb0\u0bc1\u0ba8\u0bcd\u0ba4\u0bc1.<\/p>\n<p>&#8211; Kural 1091<\/p>\n<p>&nbsp;<\/p>\n<p>Her furtive eyes<\/p>\n<p>Steal a fleeting look.<\/p>\n<p>Half the love<\/p>\n<p>Lies in it,<\/p>\n<p>nay much more.<\/p>\n<p>\u0b95\u0ba3\u0bcd\u0b95\u0bb3\u0bb5\u0bc1 \u0b95\u0bca\u0bb3\u0bcd\u0bb3\u0bc1\u0bae\u0bcd \u0b9a\u0bbf\u0bb1\u0bc1\u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bae\u0bcd \u0b95\u0bbe\u0bae\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd<\/p>\n<p>\u0b9a\u0bca\u0bae\u0bcd\u0baa\u0bbe\u0b95\u0bae\u0bcd \u0b85\u0ba9\u0bcd\u0bb1\u0bc1 \u0baa\u0bc6\u0bb0\u0bbf\u0ba4\u0bc1.<\/p>\n<p>&#8211; Kural 1092<\/p>\n<p>&nbsp;<\/p>\n<p>She looked at me.<\/p>\n<p>Looking, she turned coy.<\/p>\n<p>That was how<\/p>\n<p>She watered<\/p>\n<p>The crop of our love.<\/p>\n<p>\u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bbf\u0ba9\u0bbe\u0bb3\u0bcd \u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bbf \u0b87\u0bb1\u0bc8\u0b9e\u0bcd\u0b9a\u0bbf\u0ba9\u0bbe\u0bb3\u0bcd \u0b85\u0b83\u0ba4\u0bb5\u0bb3\u0bcd<\/p>\n<p>\u0baf\u0bbe\u0baa\u0bcd\u0baa\u0bbf\u0ba9\u0bc1\u0bb3\u0bcd \u0b85\u0b9f\u0bcd\u0b9f\u0bbf\u0baf \u0ba8\u0bc0\u0bb0\u0bcd.<\/p>\n<p>&#8211; Kural 1093<\/p>\n<p>&nbsp;<\/p>\n<p>When I look at her<\/p>\n<p>She stares at the ground.<\/p>\n<p>When I turn my gaze<\/p>\n<p>She looks at me<\/p>\n<p>And smiles gently.<\/p>\n<p>\u0baf\u0bbe\u0ba9\u0bcb\u0b95\u0bcd\u0b95\u0bc1\u0b99\u0bcd \u0b95\u0bbe\u0bb2\u0bc8 \u0ba8\u0bbf\u0bb2\u0ba9\u0bcd\u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bc1\u0bae\u0bcd \u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bbe\u0b95\u0bcd\u0b95\u0bbe\u0bb2\u0bcd<\/p>\n<p>\u0ba4\u0bbe\u0ba9\u0bcb\u0b95\u0bcd\u0b95\u0bbf \u0bae\u0bc6\u0bb2\u0bcd\u0bb2 \u0ba8\u0b95\u0bc1\u0bae\u0bcd.<\/p>\n<p>&#8211; Kural 1094<\/p>\n<p>&nbsp;<\/p>\n<p>She peeks at me<\/p>\n<p>Not directly<\/p>\n<p>But as if she<\/p>\n<p>Squinted an eye,<\/p>\n<p>And then simpers.<\/p>\n<p>(Version 1)<\/p>\n<p>&nbsp;<\/p>\n<p>Her look lets out<\/p>\n<p>Not a single cue.<\/p>\n<p>Coyly she smiles<\/p>\n<p>As if she meant<\/p>\n<p>Something else.<\/p>\n<p>(Version 2)<\/p>\n<p>\u0b95\u0bc1\u0bb1\u0bbf\u0b95\u0bcd\u0b95\u0bca\u0ba3\u0bcd\u0b9f\u0bc1 \u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bbe\u0bae\u0bc8 \u0b85\u0bb2\u0bcd\u0bb2\u0bbe\u0bb2\u0bcd \u0b92\u0bb0\u0bc1\u0b95\u0ba3\u0bcd<\/p>\n<p>\u0b9a\u0bbf\u0bb1\u0b95\u0bcd\u0b95\u0ba3\u0bbf\u0ba4\u0bcd\u0ba4\u0bbe\u0bb3\u0bcd \u0baa\u0bcb\u0bb2 \u0ba8\u0b95\u0bc1\u0bae\u0bcd.<\/p>\n<p>&#8211; Kural 1095<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>She speaks as if<\/p>\n<p>She is hostile.<\/p>\n<p>She feigns anger.<\/p>\n<p>I do sense soon<\/p>\n<p>What she does mean.<\/p>\n<p>\u0b89\u0bb1\u0bbe\u0b85 \u0ba4\u0bb5\u0bb0\u0bcd\u0baa\u0bcb\u0bb1\u0bcd \u0b9a\u0bca\u0bb2\u0bbf\u0ba9\u0bc1\u0bae\u0bcd \u0b9a\u0bc6\u0bb1\u0bbe\u0b85\u0bb0\u0bcd\u0b9a\u0bca\u0bb2\u0bcd<\/p>\n<p>\u0b92\u0bb2\u0bcd\u0bb2\u0bc8 \u0b89\u0ba3\u0bb0\u0baa\u0bcd \u0baa\u0b9f\u0bc1\u0bae\u0bcd.<\/p>\n<p>&#8211; Kural 1096<\/p>\n<p>&nbsp;<\/p>\n<p>Harsh words with no real anger,<\/p>\n<p>And a put-on angry stare:<\/p>\n<p>These are the cues;<\/p>\n<p>She seems hostile<\/p>\n<p>but loves me true.<\/p>\n<p>\u0b9a\u0bc6\u0bb1\u0bbe\u0b85\u0b9a\u0bcd \u0b9a\u0bbf\u0bb1\u0bc1\u0b9a\u0bca\u0bb2\u0bcd\u0bb2\u0bc1\u0bae\u0bcd \u0b9a\u0bc6\u0bb1\u0bcd\u0bb1\u0bbe\u0bb0\u0bcd\u0baa\u0bcb\u0bb2\u0bcd \u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bc1\u0bae\u0bcd<\/p>\n<p>\u0b89\u0bb1\u0bbe\u0b85\u0bb0\u0bcd\u0baa\u0bcb\u0ba9\u0bcd \u0bb1\u0bc1\u0bb1\u0bcd\u0bb1\u0bbe\u0bb0\u0bcd \u0b95\u0bc1\u0bb1\u0bbf\u0baa\u0bcd\u0baa\u0bc1.<\/p>\n<p>&#8211; Kural 1097<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>A certain beauty lies<\/p>\n<p>In this pliant girl:<\/p>\n<p>Oh, the way she smiles,<\/p>\n<p>Gently, her heart melting,<\/p>\n<p>When I look at her!<\/p>\n<p>\u0b85\u0b9a\u0bc8\u0baf\u0bbf\u0baf\u0bb1\u0bcd \u0b95\u0bc1\u0ba3\u0bcd\u0b9f\u0bbe\u0ba3\u0bcd\u0b9f\u0bcb\u0bb0\u0bcd \u0b8f\u0b8e\u0bb0\u0bcd\u0baf\u0bbe\u0ba9\u0bcd \u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0baa\u0bcd<\/p>\n<p>\u0baa\u0b9a\u0bc8\u0baf\u0bbf\u0ba9\u0bb3\u0bcd \u0baa\u0bc8\u0baf \u0ba8\u0b95\u0bc1\u0bae\u0bcd.<\/p>\n<p>&#8211; Kural 1098<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>We give each other<\/p>\n<p>Such distant looks<\/p>\n<p>Like we\u2019re strangers.<\/p>\n<p>Only lovers<\/p>\n<p>Can do that.<\/p>\n<p>\u0b8f\u0ba4\u0bbf\u0bb2\u0bbe\u0bb0\u0bcd \u0baa\u0bcb\u0bb2\u0baa\u0bcd \u0baa\u0bca\u0ba4\u0bc1\u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bc1 \u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bc1\u0ba4\u0bb2\u0bcd<\/p>\n<p>\u0b95\u0bbe\u0ba4\u0bb2\u0bbe\u0bb0\u0bcd \u0b95\u0ba3\u0bcd\u0ba3\u0bc7 \u0b89\u0bb3.<\/p>\n<p>&#8211; Kural 1099<\/p>\n<p>&nbsp;<\/p>\n<p>When my eyes<\/p>\n<p>Meet her eyes,<\/p>\n<p>And concur,<\/p>\n<p>Spoken words<\/p>\n<p>Have no use.<\/p>\n<p>\u0b95\u0ba3\u0bcd\u0ba3\u0bca\u0b9f\u0bc1 \u0b95\u0ba3\u0bcd\u0ba3\u0bbf\u0ba3\u0bc8 \u0ba8\u0bcb\u0b95\u0bcd\u0b95\u0bca\u0b95\u0bcd\u0b95\u0bbf\u0ba9\u0bcd \u0bb5\u0bbe\u0baf\u0bcd\u0b9a\u0bcd\u0b9a\u0bca\u0bb1\u0bcd\u0b95\u0bb3\u0bcd<\/p>\n<p>\u0b8e\u0ba9\u0bcd\u0ba9 \u0baa\u0baf\u0ba9\u0bc1\u0bae\u0bcd \u0b87\u0bb2.<\/p>\n<p>&#8211; Kural 1100<\/p>\n<p>&nbsp;<\/p>\n<h2><\/h2>\n<h2>Chapter 111: The joy of making love<\/h2>\n<p>\u0b85\u0ba4\u0bbf\u0b95\u0bbe\u0bb0\u0bae\u0bcd 111: \u0baa\u0bc1\u0ba3\u0bb0\u0bcd\u0b9a\u0bcd\u0b9a\u0bbf \u0bae\u0b95\u0bbf\u0bb4\u0bcd\u0ba4\u0bb2\u0bcd<\/p>\n<p>&nbsp;<\/p>\n<p>The five senses of<\/p>\n<p>Sight, aural, taste, smell and touch<\/p>\n<p>Come alive<\/p>\n<p>Only with this girl<\/p>\n<p>Of gleaming bangles.<\/p>\n<p>\u0b95\u0ba3\u0bcd\u0b9f\u0bc1\u0b95\u0bc7\u0b9f\u0bcd \u0b9f\u0bc1\u0ba3\u0bcd\u0b9f\u0bc1\u0baf\u0bbf\u0bb0\u0bcd\u0ba4\u0bcd \u0ba4\u0bc1\u0bb1\u0bcd\u0bb1\u0bb1\u0bbf\u0baf\u0bc1\u0bae\u0bcd \u0b90\u0bae\u0bcd\u0baa\u0bc1\u0bb2\u0ba9\u0bc1\u0bae\u0bcd<\/p>\n<p>\u0b92\u0ba3\u0bcd\u0b9f\u0bca\u0b9f\u0bbf \u0b95\u0ba3\u0bcd\u0ba3\u0bc7 \u0b89\u0bb3.<\/p>\n<p>&#8211; Kural 1101<\/p>\n<p>&nbsp;<\/p>\n<p>For any disease<\/p>\n<p>The cure lies elsewhere.<\/p>\n<p>My girl decked with jewels<\/p>\n<p>Is herself the cure for<\/p>\n<p>The ailment she induced.<\/p>\n<p>\u0baa\u0bbf\u0ba3\u0bbf\u0b95\u0bcd\u0b95\u0bc1 \u0bae\u0bb0\u0bc1\u0ba8\u0bcd\u0ba4\u0bc1 \u0baa\u0bbf\u0bb1\u0bae\u0ba9\u0bcd \u0b85\u0ba3\u0bbf\u0baf\u0bbf\u0bb4\u0bc8<\/p>\n<p>\u0ba4\u0ba9\u0bcd\u0ba8\u0bcb\u0baf\u0bcd\u0b95\u0bcd\u0b95\u0bc1\u0ba4\u0bcd \u0ba4\u0bbe\u0ba9\u0bc7 \u0bae\u0bb0\u0bc1\u0ba8\u0bcd\u0ba4\u0bc1.<\/p>\n<p>&#8211; Kural 1102<\/p>\n<p>&nbsp;<\/p>\n<p>When we find on the one we love<\/p>\n<p>A soft shoulder to sleep on,<\/p>\n<p>Can it be sweeter &#8211;<\/p>\n<p>The divine world of<\/p>\n<p>the lotus-eyed god?<\/p>\n<p>\u0ba4\u0bbe\u0bae\u0bcd\u0bb5\u0bc0\u0bb4\u0bcd\u0bb5\u0bbe\u0bb0\u0bcd \u0bae\u0bc6\u0ba9\u0bcd\u0bb1\u0bcb\u0bb3\u0bcd \u0ba4\u0bc1\u0baf\u0bbf\u0bb2\u0bbf\u0ba9\u0bcd \u0b87\u0ba9\u0bbf\u0ba4\u0bc1\u0b95\u0bca\u0bb2\u0bcd<\/p>\n<p>\u0ba4\u0bbe\u0bae\u0bb0\u0bc8\u0b95\u0bcd \u0b95\u0ba3\u0bcd\u0ba3\u0bbe\u0ba9\u0bcd \u0b89\u0bb2\u0b95\u0bc1.<\/p>\n<p>&#8211; Kural 1103<\/p>\n<p>&nbsp;<\/p>\n<p>It sears when I go far<\/p>\n<p>It chills when I get near<\/p>\n<p>Such a fire<\/p>\n<p>Wherefrom did<\/p>\n<p>She acquire?<\/p>\n<p>\u0ba8\u0bc0\u0b99\u0bcd\u0b95\u0bbf\u0ba9\u0bcd \u0ba4\u0bc6\u0bb1\u0bc2\u0b89\u0b99\u0bcd \u0b95\u0bc1\u0bb1\u0bc1\u0b95\u0bc1\u0b99\u0bcd\u0b95\u0bbe\u0bb2\u0bcd \u0ba4\u0ba3\u0bcd\u0ba3\u0bc6\u0ba9\u0bcd\u0ba9\u0bc1\u0bae\u0bcd<\/p>\n<p>\u0ba4\u0bc0\u0baf\u0bbe\u0ba3\u0bcd\u0b9f\u0bc1\u0baa\u0bcd \u0baa\u0bc6\u0bb1\u0bcd\u0bb1\u0bbe\u0bb3\u0bcd \u0b87\u0bb5\u0bb3\u0bcd.<\/p>\n<p>&#8211; Kural 1104<\/p>\n<p>&nbsp;<\/p>\n<p>The moment I desire anything<\/p>\n<p>That very thing they seem to be:<\/p>\n<p>The shoulders of her<\/p>\n<p>Whose tresses flow down<\/p>\n<p>adorned with flowers.<\/p>\n<p>\u0bb5\u0bc7\u0b9f\u0bcd\u0b9f \u0baa\u0bca\u0bb4\u0bc1\u0ba4\u0bbf\u0ba9\u0bcd \u0b85\u0bb5\u0bc8\u0baf\u0bb5\u0bc8 \u0baa\u0bcb\u0bb2\u0bc1\u0bae\u0bc7<\/p>\n<p>\u0ba4\u0bcb\u0b9f\u0bcd\u0b9f\u0bbe\u0bb0\u0bcd \u0b95\u0ba4\u0bc1\u0baa\u0bcd\u0baa\u0bbf\u0ba9\u0bbe\u0bb3\u0bcd \u0ba4\u0bcb\u0bb3\u0bcd.<\/p>\n<p>&#8211; Kural 1105<\/p>\n<p>&nbsp;<\/p>\n<p>Whenever she embraces me<\/p>\n<p>Her touch, o her touch<\/p>\n<p>Is so good, my life sprouts afresh!<\/p>\n<p>This artless maiden\u2019s arms<\/p>\n<p>Are for sure made of nectar.<\/p>\n<p>\u0b89\u0bb1\u0bc1\u0ba4\u0bcb \u0bb1\u0bc1\u0baf\u0bbf\u0bb0\u0bcd\u0ba4\u0bb3\u0bbf\u0bb0\u0bcd\u0baa\u0bcd\u0baa\u0ba4\u0bcd \u0ba4\u0bc0\u0ba3\u0bcd\u0b9f\u0bb2\u0bbe\u0bb2\u0bcd \u0baa\u0bc7\u0ba4\u0bc8\u0b95\u0bcd<\/p>\n<p>\u0b95\u0bae\u0bbf\u0bb4\u0bcd\u0ba4\u0bbf\u0ba9\u0bcd \u0b87\u0baf\u0ba9\u0bcd\u0bb1\u0ba9 \u0ba4\u0bcb\u0bb3\u0bcd.<\/p>\n<p>&#8211; Kural 1106<\/p>\n<p>&nbsp;<\/p>\n<p>Taking from our house<\/p>\n<p>All that we possess,<\/p>\n<p>To share with and feed others<\/p>\n<p>Amma!<\/p>\n<p>Cuddling this woman is as good.<\/p>\n<p>(Version 1)<\/p>\n<p>&nbsp;<\/p>\n<p>Cuddling this woman,<\/p>\n<p>Her complexion that of mango,<\/p>\n<p>Wow! it is much the same as<\/p>\n<p>Feeding others and sharing with them<\/p>\n<p>Hard earned wealth from our house.<\/p>\n<p>(Version 2)<\/p>\n<p>\u0ba4\u0bae\u0bcd\u0bae\u0bbf\u0bb2\u0bcd \u0b87\u0bb0\u0bc1\u0ba8\u0bcd\u0ba4\u0bc1 \u0ba4\u0bae\u0ba4\u0bc1\u0baa\u0bbe\u0ba4\u0bcd \u0ba4\u0bc1\u0ba3\u0bcd\u0b9f\u0bb1\u0bcd\u0bb1\u0bbe\u0bb2\u0bcd<\/p>\n<p>\u0b85\u0bae\u0bcd\u0bae\u0bbe \u0b85\u0bb0\u0bbf\u0bb5\u0bc8 \u0bae\u0bc1\u0baf\u0b95\u0bcd\u0b95\u0bc1.<\/p>\n<p>&#8211; Kural 1107<\/p>\n<p>&nbsp;<\/p>\n<p>We both desire each other<\/p>\n<p>And delightful it is<\/p>\n<p>Our tight hug<\/p>\n<p>Which lets nothing betwixt<\/p>\n<p>Not even air.<\/p>\n<p>\u0bb5\u0bc0\u0bb4\u0bc1\u0bae\u0bcd \u0b87\u0bb0\u0bc1\u0bb5\u0bb0\u0bcd\u0b95\u0bcd \u0b95\u0bbf\u0ba9\u0bbf\u0ba4\u0bc7 \u0bb5\u0bb3\u0bbf\u0baf\u0bbf\u0b9f\u0bc8<\/p>\n<p>\u0baa\u0bcb\u0bb4\u0baa\u0bcd \u0baa\u0b9f\u0bbe\u0b85 \u0bae\u0bc1\u0baf\u0b95\u0bcd\u0b95\u0bc1.<\/p>\n<p>&#8211; Kural 1108<\/p>\n<p>&nbsp;<\/p>\n<p>Pouting after a tiff,<\/p>\n<p>Patching up and making out,<\/p>\n<p>These are the perks<\/p>\n<p>Gained by those<\/p>\n<p>United in love.<\/p>\n<p>\u0b8a\u0b9f\u0bb2\u0bcd \u0b89\u0ba3\u0bb0\u0bcd\u0ba4\u0bb2\u0bcd \u0baa\u0bc1\u0ba3\u0bb0\u0bcd\u0ba4\u0bb2\u0bcd \u0b87\u0bb5\u0bc8\u0b95\u0bbe\u0bae\u0bae\u0bcd<\/p>\n<p>\u0b95\u0bc2\u0b9f\u0bbf\u0baf\u0bbe\u0bb0\u0bcd \u0baa\u0bc6\u0bb1\u0bcd\u0bb1 \u0baa\u0baf\u0ba9\u0bcd.<\/p>\n<p>&#8211; Kural 1109<\/p>\n<p>&nbsp;<\/p>\n<p>The more we learn, the more we learn<\/p>\n<p>There is much unknown.<\/p>\n<p>Same it is with love,<\/p>\n<p>The more I lie with the bejewelled girl<\/p>\n<p>(The more I learn there are joys untold).<\/p>\n<p>\u0b85\u0bb1\u0bbf\u0ba4\u0bcb \u0bb1\u0bb1\u0bbf\u0baf\u0bbe\u0bae\u0bc8 \u0b95\u0ba3\u0bcd\u0b9f\u0bb1\u0bcd\u0bb1\u0bbe\u0bb2\u0bcd \u0b95\u0bbe\u0bae\u0bae\u0bcd<\/p>\n<p>\u0b9a\u0bc6\u0bb1\u0bbf\u0ba4\u0bcb\u0bb1\u0bc1\u0bae\u0bcd \u0b9a\u0bc7\u0baf\u0bbf\u0bb4\u0bc8 \u0bae\u0bbe\u0b9f\u0bcd\u0b9f\u0bc1.<\/p>\n<p>&#8211; Kural 1110<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Translating the Tamil classic, Thirukkural, is a tricky task. Many translators have attempted to outdo Thiruvalluvar in brevity, and failed to match his depth and poetic grace. Some resort to elaboration, making it more of commentary than poetry, leaving very little space for interpretation and probably adding layers that are not explicit in the original, [&hellip;]<\/p>\n","protected":false},"author":30,"featured_media":7588,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9,11],"tags":[473,31,87],"class_list":["post-184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-english","category-poetry-english","tag-thirukkural","tag-31","tag-87"],"jetpack-related-posts":[{"id":481,"url":"https:\/\/tamizhini.in\/?p=481","url_meta":{"origin":184,"position":0},"title":"Gods\/Goddesses, Demons\/Demonesses and the Tamil Maiden","author":"C.S.Lakshmi","date":"13.09.18","format":false,"excerpt":"We have read histories of languages tracing their origins, growth and status. 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