{"id":3999,"date":"2020-04-14T02:39:18","date_gmt":"2020-04-14T02:39:18","guid":{"rendered":"https:\/\/tamizhini.in\/?p=3999"},"modified":"2020-11-18T23:15:11","modified_gmt":"2020-11-18T17:45:11","slug":"the-greatest-films-of-all-time-gokul-prasad","status":"publish","type":"post","link":"https:\/\/tamizhini.in\/?p=3999","title":{"rendered":"The Greatest Films of All Time &#8211; Gokul Prasad"},"content":{"rendered":"<p>This is an audacious attempt to compile the best films of all time. The history of cinema is filled with auteurs and establishing a ranking of the best is a perilous exercise. In this tedious task, I preferred to be objective and rank them in order. Here you go.<\/p>\n<ol>\n<li>Andrei Rublev &#8211; Andrei Tarkovsky (1966, Russia)<\/li>\n<li>Human Condition Trilogy &#8211; Masaki Kobayashi (1959-61, Japan)<\/li>\n<li>Satantango &#8211; Bela Tarr (1994, Hungary)<\/li>\n<li>Nazarin &#8211; Luis Bunuel (1959, Spain)<\/li>\n<li>Shoah &#8211; Claude Lanzmann (1985, France)<\/li>\n<li>The Fifth Seal &#8211; Zoltan Fabri (1976, Hungary)<\/li>\n<li>The Roof &#8211; Vittorio De Sica (1956, Italy)<\/li>\n<li>The Passion of Joan of Arc &#8211; Carl Theodor Dryer (1928, Denmark)<\/li>\n<li>Berlin Alexanderplatz &#8211; Rainer Werner Fassbinder (1980, Germany)<\/li>\n<li>The White Ribbon &#8211; Michael Haneke (2009, Germany)<\/li>\n<li>Melancholia &#8211; Lav Diaz (2008, Philippines)<\/li>\n<li>Germany Pale Mother &#8211; Helma Sanders- Brahms (1981. Germany)<\/li>\n<li>The Emigrants &amp; The New Land &#8211; Jan Troell (1972, Sweden)<\/li>\n<li>Mandala &#8211; Im Kwon-taek (1981, South Korea)<\/li>\n<li>Au Hazard Balthazar &#8211; Robert Bresson (1966, France)<\/li>\n<li>Out 1 &#8211; Jacques Rivette (1971, France)<\/li>\n<li>Trilogy of Borders &#8211; Theo Angelopoulos (1991-98, Greece)<\/li>\n<li>The Turin Horse &#8211; Bela Tarr (2011, Hungary)<\/li>\n<li>Jeanne Dielman, 23 Commerce Quay, 1080 Brussels &#8211; Chantal Akerman (1975, Belgium)<\/li>\n<li>Umberto D. &#8211; Vittorio De Sica (1952, Italy)<\/li>\n<li>Lucia &#8211; Humberto Solas (1968, Cuba)<\/li>\n<li>Dead Souls &#8211; Wang Bing (2018, China)<\/li>\n<li>Heimat &#8211; Edgar Reitz (1984, Germany)<\/li>\n<li>Boyhood &#8211; Richard Linklater (2014, USA)<\/li>\n<li>Winter Sleep &#8211; Nuri Bilge Ceylan (2014, Turkey)<\/li>\n<li>Amour &#8211; Michael Haneke (2012, Germany)<\/li>\n<li>The Tree of Life &#8211; Terrence Malick (2011, USA)<\/li>\n<li>The Leopard &#8211; Luchino Visconti (1963, Italy)<\/li>\n<li>Leviathan &#8211; Andrey Zvyagintsev (2014, Russia)<\/li>\n<li>Bicycle Thieves &#8211; Vittorio De Sica (1948, Italy)<\/li>\n<li>A City of Sadness &#8211; Hou Hsiao-hsien (1989, Taiwan)<\/li>\n<li>Samurai Rebellion &#8211; Masaki Kobayashi (1967, Japan)<\/li>\n<li>A Man Escaped &#8211; Robert Bresson (1956, France)<\/li>\n<li>Evolution of a Filipino Family &#8211; Lav Diaz (2004, Philippines)<\/li>\n<li>The Boys of Paul Street &#8211; Zoltan Fabri (1969, Hungary)<\/li>\n<li>La Belle Noiseuse &#8211; Jacques Rivette (1991, France)<\/li>\n<li>Ordet &#8211; Carl Theodor Dreyer (1955, Denmark)<\/li>\n<li>Ikiru &#8211; Akira Kurosawa (1952, Japan)<\/li>\n<li>Raise the Red Lantern &#8211; Zhang Yimou (1991, China)<\/li>\n<li>Salvatore Giuliano &#8211; Francesco Rosi (1962, Italy)<\/li>\n<li>Cemetery of Splendour &#8211; Apichatpong Weerasethakul (2015, Thai)<\/li>\n<li>Shadows of Forgotten Ancestors &#8211; Sergei Parajanov (1965, Russia)<\/li>\n<li>Sunrise, A Song of Two Humans &#8211; F.W.Murnau (1927, Germany)<\/li>\n<li>Mysteries of Lisbon &#8211; Raul Ruiz (2010, Portugal)<\/li>\n<li>Loveless &#8211; Andrey Zvyagintsev (2017, Russia)<\/li>\n<li>Pickpocket &#8211; Robert Bresson (1959, France)<\/li>\n<li>No Mercy No Future &#8211; Helma Sanders-Brahms (1981, Germany)<\/li>\n<li>Wild Strawberries &#8211; Ingmar Bergman (1957, Sweden)<\/li>\n<li>The Silence of the Sea &#8211; Jean-pierre Melville (1949, France)<\/li>\n<li>Ugetsu Monogatari &#8211; Kenji Mizoguchi (1953, Japan)<\/li>\n<li>Still Walking &#8211; Hirokazu Kore-eda (2008, Japan)<\/li>\n<li>Arabian Nights Trilogy &#8211; Miguel Gomes (2015, Portugal)<\/li>\n<li>Los Olvidados &#8211; Luis Bunuel (1950, Spain)<\/li>\n<li>Still Life &#8211; Jia Zhangke (2006, China)<\/li>\n<li>Harakiri &#8211; Masaki Kobayashi (1962, Japan)<\/li>\n<li>Rashomon &#8211; Akira Kurosawa (1950, Japan)<\/li>\n<li>The Child &#8211; Dardenne brothers (2005, Belgium)<\/li>\n<li>The Ballad of Narayama &#8211; Shohei Imamura (1983, Japan)<\/li>\n<li>Here Is Your Life &#8211; Jan Troell (1966, Sweden)<\/li>\n<li>Uncle Boonmee Who Can Recall His Past Lives &#8211; Apichatpong Weerasethakul (2010, Thai)<\/li>\n<li>An Elephant Sitting Still &#8211; Hu Bo (2018, China)<\/li>\n<li>The Tree of Wooden Clogs &#8211; Ermanno Olmi (1978, Italy)<\/li>\n<li>The Blue Angel &#8211; Josef von Sternberg (1930, Germany)<\/li>\n<li>Hero &#8211; Zhang Yimou (2002, China)<\/li>\n<li>The Life of Oharu &#8211; Kenji Mizoguchi (1952, Japan)<\/li>\n<li>Bob the Gambler &#8211; Jean-pierre Melville (1956, France)<\/li>\n<li>The Bitter Tears of Petra von Kant &#8211; Rainer Werner Fassbinder (1972, Germany)<\/li>\n<li>Two Days, One Night &#8211; Dardenne brothers (2014, Belgium)<\/li>\n<li>Christ Stopped at Eboli &#8211; Francesco Rosi (1979, Italy)<\/li>\n<li>Shoah, Four Sisters &#8211; Claude Lanzmann (2017, France)<\/li>\n<li>The Round-Up &#8211; Mikl\u00f3s Jancs\u00f3 (1966, Hungary)<\/li>\n<li>4 Months, 3 Weeks and 2 Days &#8211; Cristian Mungiu (2007, Romania)<\/li>\n<li>House of Flying Daggers &#8211; Zhang Yimou (2004, China)<\/li>\n<li>Hungarians &#8211; Zoltan Fabri (1978, Hungary)<\/li>\n<li>Songs from the Second Floor \/ You the Living \/ A Pigeon Sat on a Branch Reflecting on Existence &#8211; Roy Andersson (2000 &#8211; 2014, Sweden)<\/li>\n<li>Marketa Lazarov\u00e1 &#8211; Franti\u0161ek Vl\u00e1\u010dil (1967, Czech)<\/li>\n<li>The Seventh Seal &#8211; Ingmar Bergman (1957, Sweden)<\/li>\n<li>Long Day&#8217;s Journey into Night &#8211; Bi Gan (2018, China)<\/li>\n<li>Playtime &#8211; Jacques Tati (1967, France)<\/li>\n<li>The Wild Pear Tree &#8211; Nuri Bilge Ceylan (2018, Turkey)<\/li>\n<li>Man Is Not a Bird &#8211; Du\u0161an Makavejev (1965, Yugoslavia)<\/li>\n<li>The Discreet Charm of the Bourgeoisie \/ The Phantom of Liberty \/ That Obscure object of Desire &#8211; Luis Bunuel (1972 &#8211; 77, Spain)<\/li>\n<li>The Look of Silence &#8211; Joshua Oppenheimer (2014, Denmark)<\/li>\n<li>Manchester by the Sea &#8211; Kenneth Lonergan (2016, USA)<\/li>\n<li>The Grapes of Wrath &#8211; John Ford (1940, USA)<\/li>\n<li>Diary for My Children &#8211; M\u00e1rta M\u00e9sz\u00e1ros (1984, Hungary)<\/li>\n<li>White Material &#8211; Claire Denis (2009, France)<\/li>\n<li>Gett the Trial of Viviane Amsalem &#8211; Ronit Elkabetz &amp; Shlomi Elkabetz (2015, Israel)<\/li>\n<li>The Rules of the Game &#8211; Jean Renoir (1939, France)<\/li>\n<li>8 1\/2 &#8211; Federico Fellini (1963, Italy)<\/li>\n<li>Ossos \/ In Vanda&#8217;s Room \/ Colossal Youth (Lisbon Trilogy) &#8211; Pedro Costa (1997 &#8211; 2006, Portugal)<\/li>\n<li>East Of Eden &#8211; Elia Kazan (1955, USA)<\/li>\n<li>A Brighter Summer Day &#8211; Edward Yang (1991, Taiwan)<\/li>\n<li>Portrait of a Lady on Fire &#8211; C\u00e9line Sciamma (2019, France)<\/li>\n<li>Werckmeister Harmonies &#8211; B\u00e9la Tarr (2000, Hungary)<\/li>\n<li>Stray Dogs &#8211; Tsai Ming-liang (2013, Taiwan)<\/li>\n<li>Persepolis &#8211; Marjane Satrapi &amp; Vincent Paronnaud (2007, France)<\/li>\n<li>A Prophet &#8211; Jacques Audiard (2009, France)<\/li>\n<li>Proletariat Trilogy &#8211; Aki Kaurismaki (1986 &#8211; 1990, Finland)<\/li>\n<li>Nostalgia for the Light &#8211; Patricio Guzm\u00e1n (2010, Chile)<\/li>\n<li>The Best of Youth &#8211; Marco Tullio Giordana (2003, Italy)<\/li>\n<li>The Fog of War &#8211; Errol Morris (2003, USA)<\/li>\n<li>The Gatekeepers &#8211; Dror Moreh (2012, Israel)<\/li>\n<li>The Constant Factor &#8211; Krzysztof Zanussi (1980, Poland)<\/li>\n<li>Underground &#8211; Emir Kusturica (1995, Yugoslavia)<\/li>\n<li>The General &#8211; Buster Keaton (1926, USA)<\/li>\n<li>Electra, My Love &#8211; Mikl\u00f3s Jancs\u00f3 (1974, Hungary)<\/li>\n<li>The Death of Mr. Lazarescu &#8211; Cristi Puiu (2005, Romania)<\/li>\n<li>The Burmese Harp &#8211; Kon Ichikawa (1956, Japan)<\/li>\n<li>R.: Mysteries of the Organism &#8211; Du\u0161an Makavejev (1971, Yugoslavia)<\/li>\n<li>The Overnighters &#8211; Jesse Moss (2014, USA)<\/li>\n<li>Young Torless &#8211; Volker Schl\u00f6ndorff (1966, Germany)<\/li>\n<li>Meghe Dhaka Tara &#8211; Ritwik Ghatak (1960, India)<\/li>\n<li>Elena &#8211; Andrey Zvyagintsev (2011, Russia)<\/li>\n<li>Poetry &#8211; Lee Chang-dong (2010, South Korea)<\/li>\n<li>Twenty Hours &#8211; Zolt\u00e1n F\u00e1bri (1965, Hungary)<\/li>\n<li>Das Boot &#8211; Wolfgang Petersen (1981, Germany)<\/li>\n<li>The Lobster &#8211; Yorgos Lanthimos (2015, Greece)<\/li>\n<li>There Will be Blood &#8211; Paul Thomas Anderson (2007, USA)<\/li>\n<li>Hard to Be a God &#8211; Aleksei Yuryevich German (2013, Russia)<\/li>\n<li>Dosar &#8211; Rituparno Ghosh (2006, India)<\/li>\n<li>Greed &#8211; Erich Von Stroheim (1924, USA)<\/li>\n<li>Modern Times &#8211; Charlie Chaplin (1936, USA)<\/li>\n<li>Maidan &#8211; Sergei Loznitsa (2014, Ukraine)<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>This is an audacious attempt to compile the best films of all time. The history of cinema is filled with auteurs and establishing a ranking of the best is a perilous exercise. In this tedious task, I preferred to be objective and rank them in order. Here you go. Andrei Rublev &#8211; Andrei Tarkovsky (1966, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4002,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9,34],"tags":[144,56],"class_list":["post-3999","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-english","category-on-films-english","tag-gokul-prasad","tag-56"],"jetpack-related-posts":[{"id":4045,"url":"https:\/\/tamizhini.in\/?p=4045","url_meta":{"origin":3999,"position":0},"title":"Best Directors of All Time &#8211; Gokul Prasad","author":"\u0b95\u0bcb\u0b95\u0bc1\u0bb2\u0bcd \u0baa\u0bbf\u0bb0\u0b9a\u0bbe\u0ba4\u0bcd","date":"14.04.20","format":false,"excerpt":"Here is the ranking of best directors. For this classification, different criteria has been taken into account in order to remain as objective as possible. It comprises directors of all kind - young and old, known and less known - to confirm the diversity and richness of cinema as an\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/04\/48_001.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/04\/48_001.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/04\/48_001.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":359,"url":"https:\/\/tamizhini.in\/?p=359","url_meta":{"origin":3999,"position":1},"title":"Mightier than the Sword, Films of Helma Sanders-Brahms","author":"\u0b95\u0bcb\u0b95\u0bc1\u0bb2\u0bcd \u0baa\u0bbf\u0bb0\u0b9a\u0bbe\u0ba4\u0bcd","date":"13.08.18","format":false,"excerpt":"\u2018Salo\u2019 fame Italian director Paolo Pasolini was filming a dream sequence. A stud of horses drive into the sea against the harsh wind. Their hooves, smacking the waves, are glittering in the sunlight. As they gallop into the ocean of green, gathering all of their bounding energy into one, the\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2018\/08\/http___com.ft_.imagepublish.upp-prod-us.s3.amazonaws.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2018\/08\/http___com.ft_.imagepublish.upp-prod-us.s3.amazonaws.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2018\/08\/http___com.ft_.imagepublish.upp-prod-us.s3.amazonaws.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2018\/08\/http___com.ft_.imagepublish.upp-prod-us.s3.amazonaws.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":666,"url":"https:\/\/tamizhini.in\/?p=666","url_meta":{"origin":3999,"position":2},"title":"Revolution through the Lenses &#8211; Luc\u00eda (1968) &#8211; Gokul Prasad","author":"\u0b95\u0bcb\u0b95\u0bc1\u0bb2\u0bcd \u0baa\u0bbf\u0bb0\u0b9a\u0bbe\u0ba4\u0bcd","date":"12.10.18","format":false,"excerpt":"One would stumble upon reading Humberto Sol\u00e1s\u2019 interviews. 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