{"id":6349,"date":"2020-12-22T06:07:11","date_gmt":"2020-12-22T00:37:11","guid":{"rendered":"https:\/\/tamizhini.in\/?p=6349"},"modified":"2020-12-22T06:07:16","modified_gmt":"2020-12-22T00:37:16","slug":"best-documentaries-of-all-time","status":"publish","type":"post","link":"https:\/\/tamizhini.in\/?p=6349","title":{"rendered":"Best Documentaries of All Time"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">This is the third and final installment in the series of lists that I have been compiling. Previously, <a href=\"https:\/\/tamizhini.in\/2020\/04\/14\/best-directors-of-all-time-gokul-prasad\/\">best directors of all time<\/a> and <a href=\"https:\/\/tamizhini.in\/2020\/04\/14\/the-greatest-films-of-all-time-gokul-prasad\/\">the greatest films of all time<\/a> were ranked.<\/p>\n\n\n\n<ol class=\"wp-block-list\" type=\"1\"><li>Shoah (1985) &#8211; Claude Lanzmann<\/li><li>Dead Souls (2018) &#8211; Wang Bing (Mubi)<\/li><li>The Look of Silence (2014) &#8211; Joshua Oppenheimer<\/li><li>Shoah Sisters (2018) &#8211; Claude Lanzmann<\/li><li>The Fog of War (2003) &#8211; Errol Morris<\/li><li>Nostalgia for the Light (2010) &#8211; Patricio Guzman<\/li><li>The Gatekeepers (2012) &#8211; Dror Moreh<\/li><li>The Act of Killing (2012) &#8211; Joshua Oppenheimer<\/li><li>Fire at Sea (2016) &#8211; Gianfranco Rosi<\/li><li>One More Time with Feeling (2016) &#8211; Andrew Dominik<\/li><li>Chasing Coral (2017) &#8211; Jeff Orlowski<\/li><li>Maidan (2014) &#8211; Sergei Loznitsa<\/li><li>13th (2016) &#8211; Ava DuVernay (Netflix)<\/li><li>Land of Silence and Darkness (1971) &#8211; Werner Herzog<\/li><li>Free Solo (2018) &#8211; Jimmy Chin, Elizabeth Chai Vasarhelyi<\/li><li>Particle Fever (2013) &#8211; Mark Levinson<\/li><li>Man on Wire (2008) &#8211; James Marsh<\/li><li>Faces Places (2017) &#8211; Agnes Varda<\/li><li>Virunga (2014) &#8211; Orlando von Einsiedel<\/li><li>Encounters at the End of the World (2007) &#8211; Werner Herzog<\/li><li>Last Days in Vietnam (2014) &#8211; Rory Kennedy<\/li><li>Tokyo Trial (1983) &#8211; Masaki Kobayashi<\/li><li>The Overnighters (2014) &#8211; Jesse Moss<\/li><li>Capturing the Friedmans (2003) &#8211; Andrew Jarecki (HBO)<\/li><li>Bill Cunningham New York (2010) &#8211; Richard Press<\/li><li>Into the Abyss (2011) &#8211; Werner Herzog<\/li><li>Cave of Forgotten Dreams (2010) &#8211; Werner Herzog<\/li><li>No End in Sight (2007) &#8211; Charles Ferguson<\/li><li>Moscow Elegy (1988) &#8211; Alexander Sokurov<\/li><li>Our Daily Bread (2005) &#8211; Nikolaus Geyhalter<\/li><li>How to Survive a Plague (2012) &#8211; David France<\/li><li>O.J. Made in America (2016) &#8211; Ezra Edelman<\/li><li>Hoop Dreams (1994) &#8211; Steve James<\/li><li>Bowling for Columbine (2002) &#8211; Michael Moore<\/li><li>The Return to Homs (2013) &#8211; Talai Derki<\/li><li>Citizenfour (2014) &#8211; Laura Poitras<\/li><li>Dawson City: Frozen Time (2016) &#8211; Bill Morrison<\/li><li>The Thin Blue Line (1988) &#8211; Errol Morris<\/li><li>Dreamcatcher (2015) &#8211; Kim Longinotto<\/li><li>Cameraperson (2016) &#8211; Kirsten Johnson<\/li><li>The Arbor (2010) &#8211; Clio Barnard<\/li><li>Grey Gardens (1975) &#8211; Albert and David Maysles<\/li><li>Best Kept Secret (2013) &#8211; Samantha Buck<\/li><li>Waltz with Bashir (2008) &#8211; Ari Folman<\/li><li>Sherpa (2015) &#8211; Jennifer Peedom<\/li><li>Sans Soleil (1983) &#8211; Chris Marker<\/li><li>We Were Here (2011) &#8211; David Weissman<\/li><li>Triumph of the Will (1935) &#8211; Leni Riefenstahl<\/li><li>Uncertain (2017) &#8211; Ewan McNicol, Anna Sandilands<\/li><li>Stories We Tell (2012) &#8211; Sarah Polley<\/li><li>They Shall not Grow Old (2018) &#8211; Peter Jackson<\/li><li>Tie Xi Qu: West of the Tracks (2002) &#8211; Wang BIng<\/li><li>Crime + Punishment (2018) &#8211; Stephen Maing<\/li><li>Dream of Light (1992) &#8211; Victor Erice<\/li><li>Crumb (1994) &#8211; Terry Zwigoff<\/li><li>Life Itself (2014) &#8211; Steve James<\/li><li>Ex Libris: The New York Public Library (2017) &#8211; Frederick Wiseman<\/li><li>Minding the Gap (2018) &#8211; Bing Liu<\/li><li>Storm Children: Book One (2014) &#8211; Lav Diaz (Mubi)<\/li><li>My Perestroika (2010) &#8211; Robin Hessman<\/li><li>Last Train Home (2009) &#8211; Lixin Fan<\/li><li>Titicut Follies (1967) &#8211; Frederick Wiseman<\/li><li>Planet Earth I, II (2006, 2016) &#8211; BBC<\/li><li>The Blue Planet I, II (2001, 2011) &#8211; BBC<\/li><li>Strong Island (2017) &#8211; Yance Ford<\/li><li>Gideon&#8217;s Army (2013) &#8211; Dawn Porter<\/li><li>The Private Life of a Masterpiece (2001 &#8211; 2010) &#8211; BBC<\/li><li>Brother&#8217;s Keeper (1992) &#8211; Joe Berlinger, Bruce Sinofsky<\/li><li>Manakamana (2014) &#8211; Pacho Velez, Stephanie Spray<\/li><li>Tokyo Olympiad (1965) &#8211; Kon Ichikawa<\/li><li>Cinemania (2002) &#8211; Stephen Kijak<\/li><li>The Times of Harvey Milk (1984) &#8211; Rob Epstein<\/li><li>American Factory (2019) &#8211; Steven Bognar, Julia Reichert (Netflix)<\/li><li>Wendy Whelan: Restless Creature (2016) &#8211; Linda Saffire, Adam Schlesinger<\/li><li>Let the Fire Burn (2013) &#8211; Jason Osder<\/li><li>Listen to me Marlon (2015) &#8211; Stevan Riley<\/li><li>Athlete A (2020) &#8211; Bonni Cohe, Jon Shenk<\/li><li>Inside Job (2010) &#8211; Charles Ferguson<\/li><li>Black and British: A Forgotten History &#8211; BBC Two<\/li><li>Marc Chagall (1984) &#8211; Kim Evans<\/li><li>Matisse-Picasso (2002) &#8211; Philippe Kohly<\/li><li>Jane Fonda in Five Acts (2018) &#8211; Susan Lacy<\/li><li>I Called Him Morgan (2016) &#8211; Kasper Collin<\/li><li>Boys State (2020) &#8211; Jesse Moss<\/li><li>Man Ray: Prophet of the Avant-Garde (1997) &#8211; Mel Stuart<\/li><li>For Sama (2019) &#8211; Edward Watts, Waad Al-Kateab<\/li><li>Kedi (2016) &#8211; Ceyda Torun<\/li><li>Pina (2011) &#8211; Wim Wenders<\/li><li>First Cousin Once Removed (2012) &#8211; Alan Berliner<\/li><li>March of the Penguins (2005) &#8211; Luc Jacquet<\/li><li>Voyages of Discovery (2006) &#8211; BBC Four<\/li><li>I&#8217;m Not Your Negro (2016) &#8211; Raoul Peck (Netflix)<\/li><li>Out of the Clear Blue Sky (2012) &#8211; Danielle Gardner<\/li><li>Won&#8217;t you be my Neighbor? (2018) &#8211; Morgan Neville<\/li><li>Amazing Grace (2018) &#8211; Sydney Pollack, Alan Elliott<\/li><li>My Voyage to Italy (1999) &#8211; Martin Scorsese<\/li><li>Wasteland (2010) &#8211; Lucy Walker<\/li><li>Olympia (1938) &#8211; Leni Riefenstahl<\/li><li>Grizzly Man (2005) &#8211; Werner Herzog<\/li><li>Bob Dylan: Don&#8217;t look back (1967) &#8211; D.A.Pennebaker<\/li><li>Leviathan (2012) &#8211; Lucien Castaing-Taylor, Verena Paravel<\/li><li>Secrets of the Dead (2000) &#8211; PBS<\/li><li>O Processo (2018) &#8211; Maria Ramos (Mubi)<\/li><li>The Missing Picture (2013) &#8211; Rithy Panh<\/li><li>Deliver us from Evil (2006) &#8211; Amy J.Berg<\/li><li>Silent Britain (2006) &#8211; David Thompson<\/li><li>Paris is Burning (1990) &#8211; Jennie Livingston<\/li><li>Murderball (2005) &#8211; Dana Adam Shapiro, Henry-Alex Rubin<\/li><li>Exit through the Gift Shop (2010) &#8211; Banksy<\/li><li>Honeyland (2019) &#8211; Tamera Kotevska, Ljubomir Stefanov<\/li><li>Directed by Andrei Tarkovsky (1988) &#8211; Michal Leszczylowski<\/li><li>The Third Reich in Color &#8211; Spiegel TV<\/li><li>The World&#8217;s Most Expensive Paintings &#8211; BBC One<\/li><li>Amy (2015) &#8211; Asif Kapadia<\/li><li>Frozen Planet (2011) &#8211; BBC<\/li><li>Children Underground (2001) &#8211; Edet Belzberg<\/li><li>The Innocence Files (2020) &#8211; Innocence Project (Netflix)<\/li><li>The Gleaners and I (2000) &#8211; Agnes Varda<\/li><li>Three Identical Strangers (2018) &#8211; Tim Wardle (Netflix)<\/li><li>Father, Son and Holy War (1995) &#8211; Anand Patwardhan<\/li><li>Our Planet (2019) &#8211; Netflix<\/li><li>Shirkers (2018) &#8211; Sandi Tan<\/li><li>The Interrupters (2011) &#8211; Steve James<\/li><li>Visions of Light (1992) &#8211; Todd McCarthy, Arnold Glassman, Stuart Samuels<\/li><li>Burden of Dreams (1982) &#8211; Les Blank<\/li><li>The Hour of the Furnaces (1968) &#8211; Octavio Getino, Fernando Solanas<\/li><li>The Battle of Chile (1975-79) &#8211; Patricio Guzman<\/li><li>Gates of Heaven (1978) &#8211; Errol Morris<\/li><li>Of Men and War (2014) &#8211; Laurent B\u00e9cue-Renard<\/li><li>The Woman with the five Elephants (2009) &#8211; Vadim Jendreyko<\/li><li>Bombay: Our City (1985) &#8211; Anand Patwardhan<\/li><li>Celluloid Man (2012) &#8211; Shivendra Singh Dungarpur<\/li><li>Connections (1978 &#8211; 97) &#8211; Mick Jackson<\/li><li>Cinema of Europe: The Other Hollywood (1995) &#8211; Kevin Brownlow, David Gill, Dan Carter, Michael Winterbottom<\/li><li>Modern Masters (2010) &#8211; BBC<\/li><li>The Secret Life of Birds (2011) &#8211; Iolo Williams<\/li><li>Calle 54 (2000) &#8211; Fernando Trueba<\/li><li>Mahatma Gandhi: 20th Century Prophet (1940) &#8211; A.K.Chettiar<\/li><li>How Art made the World (2005) &#8211; BBC One<\/li><li>The Life and Times of Frida Kahlo (2005) &#8211; Amy Stechler<\/li><li>Time (2020) &#8211; Garrett Bradley<\/li><li>City Hall (2020) &#8211; Frederick Wiseman<\/li><li>Dick Johnson is dead (2020) &#8211; Kirsten Johnson (Netflix)<\/li><li>David Attenborough&#8217;s A life on Our Planet (2020) &#8211; Jonathan Hughes, Alastair Fothergill, Keith Scholey (Netflix)<\/li><li>The Edge of Democracy (2019) &#8211; Petra Costa<\/li><li>63 Up (2019) &#8211; Michael Apted<\/li><li>Big Men (2013) &#8211; Rachel Boynton<\/li><li>Rolling Thunder Revue: A Bob Dylan&#8217;s story (2019) &#8211; Martin Scorsese<\/li><li>Welcome to Chechnya (2020) &#8211; David France<\/li><li>Hearts and Minds (1974) &#8211; Peter Davis<\/li><\/ol>\n","protected":false},"excerpt":{"rendered":"<p>This is the third and final installment in the series of lists that I have been compiling. Previously, best directors of all time and the greatest films of all time were ranked. Shoah (1985) &#8211; Claude Lanzmann Dead Souls (2018) &#8211; Wang Bing (Mubi) The Look of Silence (2014) &#8211; Joshua Oppenheimer Shoah Sisters (2018) [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6352,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9,34],"tags":[209,196,66],"class_list":["post-6349","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-english","category-on-films-english","tag-best-documentaries-of-all-time","tag-196","tag-66"],"jetpack-related-posts":[{"id":3999,"url":"https:\/\/tamizhini.in\/?p=3999","url_meta":{"origin":6349,"position":0},"title":"The Greatest Films of All Time &#8211; Gokul Prasad","author":"\u0b95\u0bcb\u0b95\u0bc1\u0bb2\u0bcd \u0baa\u0bbf\u0bb0\u0b9a\u0bbe\u0ba4\u0bcd","date":"14.04.20","format":false,"excerpt":"This is an audacious attempt to compile the best films of all time. The history of cinema is filled with auteurs and establishing a ranking of the best is a perilous exercise. In this tedious task, I preferred to be objective and rank them in order. Here you go. Andrei\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/04\/AnnaGanina-13.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/04\/AnnaGanina-13.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/04\/AnnaGanina-13.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/04\/AnnaGanina-13.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/04\/AnnaGanina-13.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":4207,"url":"https:\/\/tamizhini.in\/?p=4207","url_meta":{"origin":6349,"position":1},"title":"Hollers of Buried Souls: The Act of Killing and The Look of Silence","author":"\u0b95\u0bcb.\u0b95\u0bae\u0bb2\u0b95\u0bcd\u0b95\u0ba3\u0bcd\u0ba3\u0ba9\u0bcd","date":"16.05.20","format":false,"excerpt":"\u2018Taking a new step, uttering a new word, is what people fear most.\u2019 - Fyodor Dostoyevsky in Crime and Punishment. The significance of investigative journalism attracts a wide audience, especially after the compilations of Svetlana Alexievich, a Belarusian investigative journalist and oral historian, won a Nobel Prize in Literature. Her\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/05\/joshua_oppenheimer-photo-by-heinrich-bc3b6ll-stiftung-1024x681.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/05\/joshua_oppenheimer-photo-by-heinrich-bc3b6ll-stiftung-1024x681.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/05\/joshua_oppenheimer-photo-by-heinrich-bc3b6ll-stiftung-1024x681.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/05\/joshua_oppenheimer-photo-by-heinrich-bc3b6ll-stiftung-1024x681.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4045,"url":"https:\/\/tamizhini.in\/?p=4045","url_meta":{"origin":6349,"position":2},"title":"Best Directors of All Time &#8211; Gokul Prasad","author":"\u0b95\u0bcb\u0b95\u0bc1\u0bb2\u0bcd \u0baa\u0bbf\u0bb0\u0b9a\u0bbe\u0ba4\u0bcd","date":"14.04.20","format":false,"excerpt":"Here is the ranking of best directors. For this classification, different criteria has been taken into account in order to remain as objective as possible. It comprises directors of all kind - young and old, known and less known - to confirm the diversity and richness of cinema as an\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/04\/48_001.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/04\/48_001.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/04\/48_001.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":636,"url":"https:\/\/tamizhini.in\/?p=636","url_meta":{"origin":6349,"position":3},"title":"Editor&#8217;s Picks","author":"\u0b95\u0bcb\u0b95\u0bc1\u0bb2\u0bcd \u0baa\u0bbf\u0bb0\u0b9a\u0bbe\u0ba4\u0bcd","date":"12.10.18","format":false,"excerpt":"A24 films Production Company has produced some timeless classics over the years. Founded in 2012, within a short span of time, it has already racked up a whopping twenty-four Academy award nominations. This independent entertainment company seems to have a strong conviction to produce only quality films that are devoid\u2026","rel":"","context":"In &quot;Editor's Picks&quot;","block_context":{"text":"Editor's Picks","link":"https:\/\/tamizhini.in\/?cat=21"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2018\/10\/first-reformed-ethan-hawke_amanda-seyfried1.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2018\/10\/first-reformed-ethan-hawke_amanda-seyfried1.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2018\/10\/first-reformed-ethan-hawke_amanda-seyfried1.jpeg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":6489,"url":"https:\/\/tamizhini.in\/?p=6489","url_meta":{"origin":6349,"position":4},"title":"US Presidential Election 2020: Trump is Defeated. Will Trumpism Survive?","author":"\u0b85\u0bb0\u0bb5\u0bbf\u0ba8\u0bcd\u0ba4\u0ba9\u0bcd \u0b95\u0ba3\u0bcd\u0ba3\u0bc8\u0baf\u0ba9\u0bcd","date":"22.12.20","format":false,"excerpt":"On November 8th 2016 election day dawned in America with many, including\u00a0 Donald Trump himself, believing that he\u2019d lose and Hillary Clinton would win and make history. As the night wore on and bled into the wee hours of the morning of Nov 9th 2016 in a seismic shock to\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/12\/joe-biden-portrait-mississippi-gt-img.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/12\/joe-biden-portrait-mississippi-gt-img.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/12\/joe-biden-portrait-mississippi-gt-img.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/12\/joe-biden-portrait-mississippi-gt-img.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/12\/joe-biden-portrait-mississippi-gt-img.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2020\/12\/joe-biden-portrait-mississippi-gt-img.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":666,"url":"https:\/\/tamizhini.in\/?p=666","url_meta":{"origin":6349,"position":5},"title":"Revolution through the Lenses &#8211; Luc\u00eda (1968) &#8211; Gokul Prasad","author":"\u0b95\u0bcb\u0b95\u0bc1\u0bb2\u0bcd \u0baa\u0bbf\u0bb0\u0b9a\u0bbe\u0ba4\u0bcd","date":"12.10.18","format":false,"excerpt":"One would stumble upon reading Humberto Sol\u00e1s\u2019 interviews. Although this emblematic figure of Cuban cinema is influenced by the aesthetics of Italian Neo-realism, he affirms that \u201cEuropean society seems to be drained, and culturally crippled.\u201d He also dares to opinionate that the films of Vittorio De Sica are nothing but\u2026","rel":"","context":"In &quot;English&quot;","block_context":{"text":"English","link":"https:\/\/tamizhini.in\/?cat=9"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2018\/10\/10_2_Lucia.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2018\/10\/10_2_Lucia.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2018\/10\/10_2_Lucia.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tamizhini.in\/wp-content\/uploads\/2018\/10\/10_2_Lucia.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_featured_media_url":"https:\/\/tamizhini.in\/wp-content\/uploads\/2020\/12\/greatest-documentaries-of-all-time-art-001_1000x750.jpg","_links":{"self":[{"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/posts\/6349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tamizhini.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6349"}],"version-history":[{"count":4,"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/posts\/6349\/revisions"}],"predecessor-version":[{"id":6356,"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/posts\/6349\/revisions\/6356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tamizhini.in\/index.php?rest_route=\/wp\/v2\/media\/6352"}],"wp:attachment":[{"href":"https:\/\/tamizhini.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tamizhini.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tamizhini.in\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}